Bruno Dumont built his reputation around the artsiest of arthouse movies, the kind of efforts that were mainstays of the festival circuit, but drew only the most devoted of cinephiles when they eventually went into limited release. Lately, while he hasn’t quite gone mainstream, the filmmaker has courted broader appeal. His TV seriesĀ “P’tit Quinquin” was a hit, and showed he could capture a bigger audience with something more broadly entertaining (a second season is on the way), and he’s stayed in that vein with his latest feature, “Slack Bay.”
WhileĀ Juliette Binoche,Ā Fabrice Luchini, andĀ Valeria Bruni Tedeschi get top billing, the story actually revolves aroundĀ Brandon Lavieville and Raph (yep, just one name), a young couple from vastly different backgrounds, who start falling in love, all while the police chase an elusive murderer. Here’s the official synopsis:
The bourgeois and extremely eccentric Van Peteghem familyāamong them Juliette Binoche, Fabrice Luchini, and Valeria Bruni Tedeschiāhave settled in for another summer at their cliff-top villa overlooking the picturesque Slack Bay. Their leisurely rhythm of sunbathing and seaside constitutionals is soon interrupted by the arrival of two bumbling inspectors investigating a string of tourists gone missing (and serving full-on Keystone Kops). As the macabre mysteries mount and love blossoms between the familyās genderqueer teen and the son of a local fisherman, Binoche and company ratchet the slapstick up to eleven. Itās no wonder director Bruno Dumont (Liāl Quinquin, Camille Claudel 1915) cites Peter Sellers, Monty Python, and Laurel and Hardy as cinematic influences for his delightful foray into winking, absurdist farce.
“Slack Bay” opens on April 21st.


