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	Comments on: Watch: Trailer For &#8216;Out Of Print&#8217; Reflects On The Future Of 35mm In An Increasing Digital Age	</title>
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	<link>https://staging2.theplaylist.net/watch-trailer-for-out-of-print-reflects-on-the-future-of-35mm-in-an-increasing-digital-age-20140801/</link>
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		<title>
		By: J		</title>
		<link>https://staging2.theplaylist.net/watch-trailer-for-out-of-print-reflects-on-the-future-of-35mm-in-an-increasing-digital-age-20140801/#comment-146106</link>

		<dc:creator><![CDATA[J]]></dc:creator>
		<pubDate>Mon, 23 May 2016 05:55:13 +0000</pubDate>
		<guid isPermaLink="false">http://www.indiewire.com/2014/more/uncategorized/watch-trailer-for-out-of-print-reflects-on-the-future-of-35mm-in-an-increasing-digital-age-273877/#comment-146106</guid>

					<description><![CDATA[As someone that programmed a revival theater, of sorts, while I&#x27;m disappointed 35mm is on the way out, digital is so much easier. 

Don&#x27;t get me wrong. I love film. But not every theater has the luxury of the New Bev where they can just call QT to get a print from his collection, or a filmmaker that still owns a print to play. Every time we ordered a 35mm print, it usually was a disaster. The only time we got a print that didn&#x27;t mess up was when we ordered a fresh print of My Neighbor Totoro from Gkids. And studios are even worse than going through a second run distributor. When you go through the actual studio they send you the worst ones possible. Even of the new flicks. We got a copy of Ted that looked so bad it looked like a 70&#x27;s film that was stored poorly. 

But dvd, blu-ray, even streaming from the internet. No problems. And the only ones that noticed or complained were film students. 

And really. Film shouldn&#x27;t become an exclusive club. If the film looks good, watch it no matter the format.]]></description>
			<content:encoded><![CDATA[<p>As someone that programmed a revival theater, of sorts, while I&#x27;m disappointed 35mm is on the way out, digital is so much easier. </p>
<p>Don&#x27;t get me wrong. I love film. But not every theater has the luxury of the New Bev where they can just call QT to get a print from his collection, or a filmmaker that still owns a print to play. Every time we ordered a 35mm print, it usually was a disaster. The only time we got a print that didn&#x27;t mess up was when we ordered a fresh print of My Neighbor Totoro from Gkids. And studios are even worse than going through a second run distributor. When you go through the actual studio they send you the worst ones possible. Even of the new flicks. We got a copy of Ted that looked so bad it looked like a 70&#x27;s film that was stored poorly. </p>
<p>But dvd, blu-ray, even streaming from the internet. No problems. And the only ones that noticed or complained were film students. </p>
<p>And really. Film shouldn&#x27;t become an exclusive club. If the film looks good, watch it no matter the format.</p>
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		<item>
		<title>
		By: Glass		</title>
		<link>https://staging2.theplaylist.net/watch-trailer-for-out-of-print-reflects-on-the-future-of-35mm-in-an-increasing-digital-age-20140801/#comment-146107</link>

		<dc:creator><![CDATA[Glass]]></dc:creator>
		<pubDate>Mon, 23 May 2016 05:55:13 +0000</pubDate>
		<guid isPermaLink="false">http://www.indiewire.com/2014/more/uncategorized/watch-trailer-for-out-of-print-reflects-on-the-future-of-35mm-in-an-increasing-digital-age-273877/#comment-146107</guid>

					<description><![CDATA[lol when did Mark Romanek become Rick Rubin?]]></description>
			<content:encoded><![CDATA[<p>lol when did Mark Romanek become Rick Rubin?</p>
]]></content:encoded>
		
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		<item>
		<title>
		By: Xian		</title>
		<link>https://staging2.theplaylist.net/watch-trailer-for-out-of-print-reflects-on-the-future-of-35mm-in-an-increasing-digital-age-20140801/#comment-146108</link>

		<dc:creator><![CDATA[Xian]]></dc:creator>
		<pubDate>Mon, 23 May 2016 05:55:13 +0000</pubDate>
		<guid isPermaLink="false">http://www.indiewire.com/2014/more/uncategorized/watch-trailer-for-out-of-print-reflects-on-the-future-of-35mm-in-an-increasing-digital-age-273877/#comment-146108</guid>

					<description><![CDATA[Not sure why this is such a huge deal... If anything cinema has ALWAYS been a marriage between technology and art.  You can record the art (production design, actors acting, etc.) on anything, so why the tears for 35mm film other than the fact that that&#x27;s what most of us grew up with.  Beyond that, digital recording and digital distribution do an amazing job of capturing performances and art design, while projecting the moving images in a more stable way that does exactly what celluloid did... create the impression of movement on the screen.  I wonder how many tears were shed for nickelodeons or zoetropes... It&#x27;s time to move on from film (I hear no one signing the blues for nitrate, btw)... the only folks unhappy with it are certain directors with a flair for the personally dramatic (Chris Nolan! Quentin Tarrantino!  I&#x27;m looking at you), hipsters, and projector-repair guys.

Revival movie houses do not have to go out of business thanks to digital... Even the much hailed New Beverly Cinema now owns a digital projection system, so it&#x27;s not like older movies are going to somehow vanish.  If anything, there will be greater access to older films for all to see (whether VOD or in a theater with other human beings), and no longer will revival houses be chained to &#034;out-of-print&#x27; notices, bad prints, or the cost of having to strike a new print for a decent revival showing.  Just order it up from a film library or direct from the studios themselves.  But enough of this &#034;cry me a river&#034; crap about celluloid.  It had its day, now let&#x27;s move on.  Cinema is NOT dead.]]></description>
			<content:encoded><![CDATA[<p>Not sure why this is such a huge deal&#8230; If anything cinema has ALWAYS been a marriage between technology and art.  You can record the art (production design, actors acting, etc.) on anything, so why the tears for 35mm film other than the fact that that&#x27;s what most of us grew up with.  Beyond that, digital recording and digital distribution do an amazing job of capturing performances and art design, while projecting the moving images in a more stable way that does exactly what celluloid did&#8230; create the impression of movement on the screen.  I wonder how many tears were shed for nickelodeons or zoetropes&#8230; It&#x27;s time to move on from film (I hear no one signing the blues for nitrate, btw)&#8230; the only folks unhappy with it are certain directors with a flair for the personally dramatic (Chris Nolan! Quentin Tarrantino!  I&#x27;m looking at you), hipsters, and projector-repair guys.</p>
<p>Revival movie houses do not have to go out of business thanks to digital&#8230; Even the much hailed New Beverly Cinema now owns a digital projection system, so it&#x27;s not like older movies are going to somehow vanish.  If anything, there will be greater access to older films for all to see (whether VOD or in a theater with other human beings), and no longer will revival houses be chained to &quot;out-of-print&#x27; notices, bad prints, or the cost of having to strike a new print for a decent revival showing.  Just order it up from a film library or direct from the studios themselves.  But enough of this &quot;cry me a river&quot; crap about celluloid.  It had its day, now let&#x27;s move on.  Cinema is NOT dead.</p>
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