<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	
	>
<channel>
	<title>
	Comments on: Video Of The Day: &#8216;Che And the Digital Cinema Revolution&#8217;	</title>
	<atom:link href="https://staging2.theplaylist.net/video-of-day-che-and-digital-cinema-20100209/feed/" rel="self" type="application/rss+xml" />
	<link>https://staging2.theplaylist.net/video-of-day-che-and-digital-cinema-20100209/</link>
	<description></description>
	<lastBuildDate>Wed, 11 Nov 2020 17:01:23 +0000</lastBuildDate>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	<generator>https://wordpress.org/?v=6.7.2</generator>
	<item>
		<title>
		By: chicago master of marketing management		</title>
		<link>https://staging2.theplaylist.net/video-of-day-che-and-digital-cinema-20100209/#comment-16757</link>

		<dc:creator><![CDATA[chicago master of marketing management]]></dc:creator>
		<pubDate>Thu, 25 Feb 2010 08:55:54 +0000</pubDate>
		<guid isPermaLink="false">http://theplaylist.wpengine.com/?p=4710#comment-16757</guid>

					<description><![CDATA[The trend has been especially strong in Germany, France, and Great Britain, as well as in Austria, The Netherlands, and Sweden, but also in Russia, Romania, Poland, and Slovakia. The average ticket price rose due to 3D. There was a 70% growth in digital screens during the first half of the year. France grew to be the European leader in digital screens, beating Great Britain.]]></description>
			<content:encoded><![CDATA[<p>The trend has been especially strong in Germany, France, and Great Britain, as well as in Austria, The Netherlands, and Sweden, but also in Russia, Romania, Poland, and Slovakia. The average ticket price rose due to 3D. There was a 70% growth in digital screens during the first half of the year. France grew to be the European leader in digital screens, beating Great Britain.</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: SK		</title>
		<link>https://staging2.theplaylist.net/video-of-day-che-and-digital-cinema-20100209/#comment-16221</link>

		<dc:creator><![CDATA[SK]]></dc:creator>
		<pubDate>Wed, 10 Feb 2010 03:47:21 +0000</pubDate>
		<guid isPermaLink="false">http://theplaylist.wpengine.com/?p=4710#comment-16221</guid>

					<description><![CDATA[I&#039;m happy Soderbergh went with &#034;Contagion&#034; before &#034;Liberace&#034;.  I don&#039;t want to see him talk his way into director&#039;s &#034;jail&#034; again after another would-be limited release (maybe really limited release?).  And his talk of quitting after &#034;Che&#034; was pretty depressing too.  Would hate to see him leave.&lt;br /&gt;&lt;br /&gt;Even if the &#034;jail&#034; is only in his head, with &#034;The Informant&#034; and &#034;Knockout&#034; not exactly having been limited releases.]]></description>
			<content:encoded><![CDATA[<p>I&#39;m happy Soderbergh went with &quot;Contagion&quot; before &quot;Liberace&quot;.  I don&#39;t want to see him talk his way into director&#39;s &quot;jail&quot; again after another would-be limited release (maybe really limited release?).  And his talk of quitting after &quot;Che&quot; was pretty depressing too.  Would hate to see him leave.</p>
<p>Even if the &quot;jail&quot; is only in his head, with &quot;The Informant&quot; and &quot;Knockout&quot; not exactly having been limited releases.</p>
]]></content:encoded>
		
			</item>
	</channel>
</rss>
