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	Comments on: Venice Review: Fatih Akin’s ‘The Cut’ Starring Tahar Rahim	</title>
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		<title>
		By: Iman Humaydan		</title>
		<link>https://staging2.theplaylist.net/venice-review-fatih-akins-the-cut-starring-tahar-rahim-20140831/#comment-144767</link>

		<dc:creator><![CDATA[Iman Humaydan]]></dc:creator>
		<pubDate>Mon, 23 May 2016 05:42:01 +0000</pubDate>
		<guid isPermaLink="false">http://www.indiewire.com/2014/more/uncategorized/venice-review-fatih-akins-the-cut-starring-tahar-rahim-273028/#comment-144767</guid>

					<description><![CDATA[The film is a masterpiece. I congratulate Akin for his epic work on Armenian genicide. A history that has been denied till present from the international community. Thanks Akin despite the  negative reviews... go on...]]></description>
			<content:encoded><![CDATA[<p>The film is a masterpiece. I congratulate Akin for his epic work on Armenian genicide. A history that has been denied till present from the international community. Thanks Akin despite the  negative reviews&#8230; go on&#8230;</p>
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		<title>
		By: G Holt		</title>
		<link>https://staging2.theplaylist.net/venice-review-fatih-akins-the-cut-starring-tahar-rahim-20140831/#comment-144768</link>

		<dc:creator><![CDATA[G Holt]]></dc:creator>
		<pubDate>Mon, 23 May 2016 05:42:01 +0000</pubDate>
		<guid isPermaLink="false">http://www.indiewire.com/2014/more/uncategorized/venice-review-fatih-akins-the-cut-starring-tahar-rahim-273028/#comment-144768</guid>

					<description><![CDATA[I saw The Cut today in Paris and I am happy to say that the dialogue is now in Kurdish in the first part.  This doesn\&#039;t improve the acting, which is very amateurish in all of the group sc&#232;nes but which gets much better when there are just two or three people onscreen.  In some of the slave labour scenes, everybody was posed so carefully across the screen that I was afraid they were going to break into song with a choreographed musical number.  Just so long as Fatih Akin has learned his lesson about what he is NOT good at doing, this film will have been useful for his future films.]]></description>
			<content:encoded><![CDATA[<p>I saw The Cut today in Paris and I am happy to say that the dialogue is now in Kurdish in the first part.  This doesn\&#8217;t improve the acting, which is very amateurish in all of the group sc&egrave;nes but which gets much better when there are just two or three people onscreen.  In some of the slave labour scenes, everybody was posed so carefully across the screen that I was afraid they were going to break into song with a choreographed musical number.  Just so long as Fatih Akin has learned his lesson about what he is NOT good at doing, this film will have been useful for his future films.</p>
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