From the moment Tony Todd, playing Titus Darq, a pencil mustache master of ceremonies hosting a “Good Horror Movie Night,” appears on the screen with a Vincent Price inspired cackle, you know Bill Posley’s hilarious homage to 1990s Black horror, “Bitch Ass,” knows exactly what movie it wants to be. In his opening welcome, accentuated by comical splashes of thunder, the keys of a creepy piano, and the nostalgic buzz of a VHS tape, Darq makes allusions to “Candyman,” “Tales from the Hood,” “Bones,” and so forth to prime viewers for Posley’s deliciously schlocky vision.

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