Following his claustrophobic debut “The Guilty” (remade, to lesser effect, by Antoine Fuqua), Swedish filmmaker Gustav Möller returns with a second feature that may expand its call sheet but is still confined in its approach to characters and settings. Trading out an emergency service center for a prison, “Sons” narrows in on a single prison guard and her attempts to exert control over a prisoner with whom she has a history with.

Continue reading ‘Sons’ Review: Gustav Möller Delivers A Compellingly Schematic Prison Drama & Character Study [Berlinale] at The Playlist.