It’s hard to describe what “Master of Light” does so well with images. Director Rosa Ruth Boesten’s portrayal of a struggling artist works best when its subjects say very little. The weight of what was said hangs in the air while we watch their faces in contrasting light and shadow. In a sea of streaming documentaries, often a slick array of talking heads focused on grim true crime discussion, this tale of art and redemption is invigorating, albeit not without a sense of fragility.

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