<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	
	>
<channel>
	<title>
	Comments on: Review: Hal Hartley’s ‘Meanwhile’ Continues Dogmatic Pursuit Of Philosophical Truths With A Familiar DIY Aesethetic	</title>
	<atom:link href="https://staging2.theplaylist.net/review-hal-hartleys-meanwhile-continues-dogmatic-pursuit-of-philosophical-truths-with-a-familiar-diy-aesethetic-20120302/feed/" rel="self" type="application/rss+xml" />
	<link>https://staging2.theplaylist.net/review-hal-hartleys-meanwhile-continues-dogmatic-pursuit-of-philosophical-truths-with-a-familiar-diy-aesethetic-20120302/</link>
	<description></description>
	<lastBuildDate>Sun, 22 May 2016 04:25:24 +0000</lastBuildDate>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	<generator>https://wordpress.org/?v=6.7.2</generator>
	<item>
		<title>
		By: Jamie Jobb		</title>
		<link>https://staging2.theplaylist.net/review-hal-hartleys-meanwhile-continues-dogmatic-pursuit-of-philosophical-truths-with-a-familiar-diy-aesethetic-20120302/#comment-121404</link>

		<dc:creator><![CDATA[Jamie Jobb]]></dc:creator>
		<pubDate>Sun, 22 May 2016 04:25:24 +0000</pubDate>
		<guid isPermaLink="false">http://www.indiewire.com/2012/more/uncategorized/review-hal-hartleys-meanwhile-continues-dogmatic-pursuit-of-philosophical-truths-with-a-familiar-diy-aesethetic-253532/#comment-121404</guid>

					<description><![CDATA[Hey, I went to college in the 1960s, and I loved this film.  Hartley is a French filmmaker from America!  Hartley touches the absurdist in those of us who grew up at a time when Theater of the Absurd presaged today&#x27;s disconnected cell phone &#034;conversations&#034; in close public proximity.  It might be difficult for someone with a cell phone to understand that irony fifty years later.  Perhaps someone should restage Ionesco&#x27;s The Chairs and give the characters cell phones?

Also, those of us who saw Amateur will appreciate the end of Meanwhile a bit more for how it resolves itself.  &#034;I&#x27;ll live.&#034;  Thanks for the review!]]></description>
			<content:encoded><![CDATA[<p>Hey, I went to college in the 1960s, and I loved this film.  Hartley is a French filmmaker from America!  Hartley touches the absurdist in those of us who grew up at a time when Theater of the Absurd presaged today&#x27;s disconnected cell phone &quot;conversations&quot; in close public proximity.  It might be difficult for someone with a cell phone to understand that irony fifty years later.  Perhaps someone should restage Ionesco&#x27;s The Chairs and give the characters cell phones?</p>
<p>Also, those of us who saw Amateur will appreciate the end of Meanwhile a bit more for how it resolves itself.  &quot;I&#x27;ll live.&quot;  Thanks for the review!</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: Jamie Jobb		</title>
		<link>https://staging2.theplaylist.net/review-hal-hartleys-meanwhile-continues-dogmatic-pursuit-of-philosophical-truths-with-a-familiar-diy-aesethetic-20120302/#comment-121405</link>

		<dc:creator><![CDATA[Jamie Jobb]]></dc:creator>
		<pubDate>Sun, 22 May 2016 04:25:24 +0000</pubDate>
		<guid isPermaLink="false">http://www.indiewire.com/2012/more/uncategorized/review-hal-hartleys-meanwhile-continues-dogmatic-pursuit-of-philosophical-truths-with-a-familiar-diy-aesethetic-253532/#comment-121405</guid>

					<description><![CDATA[Hey, I went to college in the 1960s, and I loved this film.  Hartley is a French filmmaker from America!  Hartley touches the absurdist in those of us who grew up at a time when Theater of the Absurd presaged today&#x27;s disconnected cell phone &#034;conversations&#034; in close public proximity.  It might be difficult for someone with a cell phone to understand that irony fifty years later.  Perhaps someone should restage Ionesco&#x27;s The Chairs and give the characters cell phones?

Also, those of us who saw Amateur will appreciate the end of Meanwhile a bit more for how it resolves itself.  &#034;I&#x27;ll live.&#034;  Thanks for the review!]]></description>
			<content:encoded><![CDATA[<p>Hey, I went to college in the 1960s, and I loved this film.  Hartley is a French filmmaker from America!  Hartley touches the absurdist in those of us who grew up at a time when Theater of the Absurd presaged today&#x27;s disconnected cell phone &quot;conversations&quot; in close public proximity.  It might be difficult for someone with a cell phone to understand that irony fifty years later.  Perhaps someone should restage Ionesco&#x27;s The Chairs and give the characters cell phones?</p>
<p>Also, those of us who saw Amateur will appreciate the end of Meanwhile a bit more for how it resolves itself.  &quot;I&#x27;ll live.&quot;  Thanks for the review!</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: Jamie Jobb		</title>
		<link>https://staging2.theplaylist.net/review-hal-hartleys-meanwhile-continues-dogmatic-pursuit-of-philosophical-truths-with-a-familiar-diy-aesethetic-20120302/#comment-121406</link>

		<dc:creator><![CDATA[Jamie Jobb]]></dc:creator>
		<pubDate>Sun, 22 May 2016 04:25:24 +0000</pubDate>
		<guid isPermaLink="false">http://www.indiewire.com/2012/more/uncategorized/review-hal-hartleys-meanwhile-continues-dogmatic-pursuit-of-philosophical-truths-with-a-familiar-diy-aesethetic-253532/#comment-121406</guid>

					<description><![CDATA[Hey, I went to college in the 1960s, and I loved this film.  Hartley is a French filmmaker from America!  Hartley touches the absurdist in those of us who grew up at a time when Theater of the Absurd presaged today&#x27;s disconnected cell phone &#034;conversations&#034; in close public proximity.  It might be difficult for someone with a cell phone to understand that irony fifty years later.  Perhaps someone should restage Ionesco&#x27;s The Chairs and give the characters cell phones?

Also, those of us who saw Amateur will appreciate the end of Meanwhile a bit more for how it resolves itself.  &#034;I&#x27;ll live.&#034;  Thanks for the review!]]></description>
			<content:encoded><![CDATA[<p>Hey, I went to college in the 1960s, and I loved this film.  Hartley is a French filmmaker from America!  Hartley touches the absurdist in those of us who grew up at a time when Theater of the Absurd presaged today&#x27;s disconnected cell phone &quot;conversations&quot; in close public proximity.  It might be difficult for someone with a cell phone to understand that irony fifty years later.  Perhaps someone should restage Ionesco&#x27;s The Chairs and give the characters cell phones?</p>
<p>Also, those of us who saw Amateur will appreciate the end of Meanwhile a bit more for how it resolves itself.  &quot;I&#x27;ll live.&quot;  Thanks for the review!</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: Jamie Jobb		</title>
		<link>https://staging2.theplaylist.net/review-hal-hartleys-meanwhile-continues-dogmatic-pursuit-of-philosophical-truths-with-a-familiar-diy-aesethetic-20120302/#comment-121407</link>

		<dc:creator><![CDATA[Jamie Jobb]]></dc:creator>
		<pubDate>Sun, 22 May 2016 04:25:24 +0000</pubDate>
		<guid isPermaLink="false">http://www.indiewire.com/2012/more/uncategorized/review-hal-hartleys-meanwhile-continues-dogmatic-pursuit-of-philosophical-truths-with-a-familiar-diy-aesethetic-253532/#comment-121407</guid>

					<description><![CDATA[Hey, I went to college in the 1960s, and I loved this film.  Hartley is a French filmmaker from America!  Hartley touches the absurdist in those of us who grew up at a time when Theater of the Absurd presaged today&#x27;s disconnected cell phone &#034;conversations&#034; in close public proximity.  It might be difficult for someone with a cell phone to understand that irony fifty years later.  Perhaps someone should restage Ionesco&#x27;s The Chairs and give the characters cell phones?

Also, those of us who saw Amateur will appreciate the end of Meanwhile a bit more for how it resolves itself.  &#034;I&#x27;ll live.&#034;  Thanks for the review!]]></description>
			<content:encoded><![CDATA[<p>Hey, I went to college in the 1960s, and I loved this film.  Hartley is a French filmmaker from America!  Hartley touches the absurdist in those of us who grew up at a time when Theater of the Absurd presaged today&#x27;s disconnected cell phone &quot;conversations&quot; in close public proximity.  It might be difficult for someone with a cell phone to understand that irony fifty years later.  Perhaps someone should restage Ionesco&#x27;s The Chairs and give the characters cell phones?</p>
<p>Also, those of us who saw Amateur will appreciate the end of Meanwhile a bit more for how it resolves itself.  &quot;I&#x27;ll live.&quot;  Thanks for the review!</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: Jamie Jobb		</title>
		<link>https://staging2.theplaylist.net/review-hal-hartleys-meanwhile-continues-dogmatic-pursuit-of-philosophical-truths-with-a-familiar-diy-aesethetic-20120302/#comment-121408</link>

		<dc:creator><![CDATA[Jamie Jobb]]></dc:creator>
		<pubDate>Sun, 22 May 2016 04:25:24 +0000</pubDate>
		<guid isPermaLink="false">http://www.indiewire.com/2012/more/uncategorized/review-hal-hartleys-meanwhile-continues-dogmatic-pursuit-of-philosophical-truths-with-a-familiar-diy-aesethetic-253532/#comment-121408</guid>

					<description><![CDATA[Hey, I went to college in the 1960s, and I loved this film.  Hartley is a French filmmaker from America!  Hartley touches the absurdist in those of us who grew up at a time when Theater of the Absurd presaged today&#x27;s disconnected cell phone &#034;conversations&#034; in close public proximity.  It might be difficult for someone with a cell phone to understand that irony fifty years later.  Perhaps someone should restage Ionesco&#x27;s The Chairs and give the characters cell phones?

Also, those of us who saw Amateur will appreciate the end of Meanwhile a bit more for how it resolves itself.  &#034;I&#x27;ll live.&#034;  Thanks for the review!]]></description>
			<content:encoded><![CDATA[<p>Hey, I went to college in the 1960s, and I loved this film.  Hartley is a French filmmaker from America!  Hartley touches the absurdist in those of us who grew up at a time when Theater of the Absurd presaged today&#x27;s disconnected cell phone &quot;conversations&quot; in close public proximity.  It might be difficult for someone with a cell phone to understand that irony fifty years later.  Perhaps someone should restage Ionesco&#x27;s The Chairs and give the characters cell phones?</p>
<p>Also, those of us who saw Amateur will appreciate the end of Meanwhile a bit more for how it resolves itself.  &quot;I&#x27;ll live.&quot;  Thanks for the review!</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: Jamie Jobb		</title>
		<link>https://staging2.theplaylist.net/review-hal-hartleys-meanwhile-continues-dogmatic-pursuit-of-philosophical-truths-with-a-familiar-diy-aesethetic-20120302/#comment-121409</link>

		<dc:creator><![CDATA[Jamie Jobb]]></dc:creator>
		<pubDate>Sun, 22 May 2016 04:25:24 +0000</pubDate>
		<guid isPermaLink="false">http://www.indiewire.com/2012/more/uncategorized/review-hal-hartleys-meanwhile-continues-dogmatic-pursuit-of-philosophical-truths-with-a-familiar-diy-aesethetic-253532/#comment-121409</guid>

					<description><![CDATA[Hey, I went to college in the 1960s, and I loved this film.  Hartley is a French filmmaker from America!  Hartley touches the absurdist in those of us who grew up at a time when Theater of the Absurd presaged today&#x27;s disconnected cell phone &#034;conversations&#034; in close public proximity.  It might be difficult for someone with a cell phone to understand that irony fifty years later.  Perhaps someone should restage Ionesco&#x27;s The Chairs and give the characters cell phones?

Also, those of us who saw Amateur will appreciate the end of Meanwhile a bit more for how it resolves itself.  &#034;I&#x27;ll live.&#034;  Thanks for the review!]]></description>
			<content:encoded><![CDATA[<p>Hey, I went to college in the 1960s, and I loved this film.  Hartley is a French filmmaker from America!  Hartley touches the absurdist in those of us who grew up at a time when Theater of the Absurd presaged today&#x27;s disconnected cell phone &quot;conversations&quot; in close public proximity.  It might be difficult for someone with a cell phone to understand that irony fifty years later.  Perhaps someone should restage Ionesco&#x27;s The Chairs and give the characters cell phones?</p>
<p>Also, those of us who saw Amateur will appreciate the end of Meanwhile a bit more for how it resolves itself.  &quot;I&#x27;ll live.&quot;  Thanks for the review!</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: Jamie Jobb		</title>
		<link>https://staging2.theplaylist.net/review-hal-hartleys-meanwhile-continues-dogmatic-pursuit-of-philosophical-truths-with-a-familiar-diy-aesethetic-20120302/#comment-121410</link>

		<dc:creator><![CDATA[Jamie Jobb]]></dc:creator>
		<pubDate>Sun, 22 May 2016 04:25:24 +0000</pubDate>
		<guid isPermaLink="false">http://www.indiewire.com/2012/more/uncategorized/review-hal-hartleys-meanwhile-continues-dogmatic-pursuit-of-philosophical-truths-with-a-familiar-diy-aesethetic-253532/#comment-121410</guid>

					<description><![CDATA[Hey, I went to college in the 1960s, and I loved this film.  Hartley is a French filmmaker from America!  Hartley touches the absurdist in those of us who grew up at a time when Theater of the Absurd presaged today&#x27;s disconnected cell phone &#034;conversations&#034; in close public proximity.  It might be difficult for someone with a cell phone to understand that irony fifty years later.  Perhaps someone should restage Ionesco&#x27;s The Chairs and give the characters cell phones?

Also, those of us who saw Amateur will appreciate the end of Meanwhile a bit more for how it resolves itself.  &#034;I&#x27;ll live.&#034;  Thanks for the review!]]></description>
			<content:encoded><![CDATA[<p>Hey, I went to college in the 1960s, and I loved this film.  Hartley is a French filmmaker from America!  Hartley touches the absurdist in those of us who grew up at a time when Theater of the Absurd presaged today&#x27;s disconnected cell phone &quot;conversations&quot; in close public proximity.  It might be difficult for someone with a cell phone to understand that irony fifty years later.  Perhaps someone should restage Ionesco&#x27;s The Chairs and give the characters cell phones?</p>
<p>Also, those of us who saw Amateur will appreciate the end of Meanwhile a bit more for how it resolves itself.  &quot;I&#x27;ll live.&quot;  Thanks for the review!</p>
]]></content:encoded>
		
			</item>
	</channel>
</rss>
