You don’t “complete” an Orson Welles film without Orson Welles.

Netflix should offer a documentary “tour” of the film as it stood when Welles stopped working on it, allowing audiences the opportunity to see the full rough cut as well as perspective commentary about the production and any elements of the story that remains unclear in it’s current form. It should not be editorially revised to form a “completed” film. It does not have to be “finished” to have value to those who would care most to see it.

If Netflix absolutely insists on a completed film, they should issue a second, entirely separate version, clearly marked as revised and completed by (noted filmmaker who took on the thankless task of monkeying with Orson Welles last picture). But the work-in-progress documentary should be the primary objective.

The film should be handled the same way one handles archeological discoveries. Preserved, not altered. It should not be gussied up like some theme park attraction.