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	Comments on: Marrakech Interview: Nicolas Winding Refn On Disliking Vikings, Realism &#038; What He Learned From &#8216;Fear X&#8217;	</title>
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	<link>https://staging2.theplaylist.net/marrakech-interview-nicolas-winding-refn-on-disliking-vikings-realism-what-he-learned-from-fear-x-20131209/</link>
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		By: CB		</title>
		<link>https://staging2.theplaylist.net/marrakech-interview-nicolas-winding-refn-on-disliking-vikings-realism-what-he-learned-from-fear-x-20131209/#comment-42002</link>

		<dc:creator><![CDATA[CB]]></dc:creator>
		<pubDate>Fri, 13 May 2016 08:28:58 +0000</pubDate>
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					<description><![CDATA[Nice. I re-watched Only God Forgives last night for the first time since I saw it on premiere night seven months ago in Denmark. It&#x27;s still one of the most fascinating films I&#x27;ve ever come across. The soundtrack, the neo-noir cinematography, the bizarre acting (Gosling&#x27;s as minimalistic as it gets, whereas Scott-Thomas is Lady Macbeth-like baroque!), the themes of sins, God and Oedipus or whatever it is that Refn is trying to convey make this one of my favorite films. It&#x27;s as if David Lynch and Michael Mann co-directed a Kubrickian thai-boxing b-movie that drags out the intensity of the final shootout of Taxi Driver for one long feature film. I can&#x27;t wait to see what Refn has in store next. I love that he is a fan of mystery, ambiguity and room for interpretation.]]></description>
			<content:encoded><![CDATA[<p>Nice. I re-watched Only God Forgives last night for the first time since I saw it on premiere night seven months ago in Denmark. It&#x27;s still one of the most fascinating films I&#x27;ve ever come across. The soundtrack, the neo-noir cinematography, the bizarre acting (Gosling&#x27;s as minimalistic as it gets, whereas Scott-Thomas is Lady Macbeth-like baroque!), the themes of sins, God and Oedipus or whatever it is that Refn is trying to convey make this one of my favorite films. It&#x27;s as if David Lynch and Michael Mann co-directed a Kubrickian thai-boxing b-movie that drags out the intensity of the final shootout of Taxi Driver for one long feature film. I can&#x27;t wait to see what Refn has in store next. I love that he is a fan of mystery, ambiguity and room for interpretation.</p>
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