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	Comments on: Jean-Luc Godard Goes 3D: Watch Trailers For ‘Adieu Au Langage’ &#038; Omnibus &#8216;3X3D&#8217;	</title>
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		<title>
		By: tyrannosaurus max		</title>
		<link>https://staging2.theplaylist.net/jean-luc-godard-goes-3d-watch-trailers-for-adieu-au-langage-omnibus-3x3d-20130705/#comment-50865</link>

		<dc:creator><![CDATA[tyrannosaurus max]]></dc:creator>
		<pubDate>Fri, 13 May 2016 09:34:57 +0000</pubDate>
		<guid isPermaLink="false">http://www.indiewire.com/2013/more/uncategorized/jean-luc-godard-goes-3d-watch-trailers-for-adieu-au-langage-omnibus-3x3d-96331/#comment-50865</guid>

					<description><![CDATA[3x3D looks so badass....]]></description>
			<content:encoded><![CDATA[<p>3x3D looks so badass&#8230;.</p>
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		<title>
		By: fry		</title>
		<link>https://staging2.theplaylist.net/jean-luc-godard-goes-3d-watch-trailers-for-adieu-au-langage-omnibus-3x3d-20130705/#comment-50866</link>

		<dc:creator><![CDATA[fry]]></dc:creator>
		<pubDate>Fri, 13 May 2016 09:34:57 +0000</pubDate>
		<guid isPermaLink="false">http://www.indiewire.com/2013/more/uncategorized/jean-luc-godard-goes-3d-watch-trailers-for-adieu-au-langage-omnibus-3x3d-96331/#comment-50866</guid>

					<description><![CDATA[That trailer looks like the average film student assignment done by every single undergraduate on the face of the earth. I respect Godard for his enormous contribution to the medium but the man clearly has a love&#x2F;hate relationship with cinema. He loves movies and has been an adept historian and critic as one can tell watching Histoire(s), but when I&#x27;m watching his recent films I&#x27;m always under the impression that they&#x27;re being made by a man who truly hates making movies, or maybe hates the audience, I don&#x27;t know which one, but that&#x27;s what I see.]]></description>
			<content:encoded><![CDATA[<p>That trailer looks like the average film student assignment done by every single undergraduate on the face of the earth. I respect Godard for his enormous contribution to the medium but the man clearly has a love&#x2F;hate relationship with cinema. He loves movies and has been an adept historian and critic as one can tell watching Histoire(s), but when I&#x27;m watching his recent films I&#x27;m always under the impression that they&#x27;re being made by a man who truly hates making movies, or maybe hates the audience, I don&#x27;t know which one, but that&#x27;s what I see.</p>
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		<title>
		By: Ted		</title>
		<link>https://staging2.theplaylist.net/jean-luc-godard-goes-3d-watch-trailers-for-adieu-au-langage-omnibus-3x3d-20130705/#comment-50867</link>

		<dc:creator><![CDATA[Ted]]></dc:creator>
		<pubDate>Fri, 13 May 2016 09:34:57 +0000</pubDate>
		<guid isPermaLink="false">http://www.indiewire.com/2013/more/uncategorized/jean-luc-godard-goes-3d-watch-trailers-for-adieu-au-langage-omnibus-3x3d-96331/#comment-50867</guid>

					<description><![CDATA[I know it&#x27;s popular to say Godard has gone off the deep end post-Weekend. But I don&#x27;t think this has been true for over 20 years now. Go watch King Lear, Nouvelle Vague, For Ever Mozart, Eloge de l&#x27;amour, Film Socialisme. All of these films look and feel like 60s Godard, though evolved obviously, especially Eloge de l&#x27;amour, which I think is just as much of a masterpiece as his other Bretchian pieces like Pierrot le fou or Weekend, and is very clearly Godardian. It&#x27;s clear he went a bit bonkers during the 70s and early 80s, but post-King Lear he&#x27;s very much returned to the 60s Godard we once knew. The difference is, he&#x27;s just dispensed the pop art aesthetic and has just left the &#034;core&#034; of what his films were always about to begin with. 

I&#x27;ll admit though, I&#x27;m a bit worried about Adieu au language. It feels like it&#x27;s just designed to give the middle finger to Hollywood. Sure, he ribbed Hollywood (and America) in Eloge de l&#x27;amour, but I&#x27;m not sure an entire film premised on that idea would be successful.]]></description>
			<content:encoded><![CDATA[<p>I know it&#x27;s popular to say Godard has gone off the deep end post-Weekend. But I don&#x27;t think this has been true for over 20 years now. Go watch King Lear, Nouvelle Vague, For Ever Mozart, Eloge de l&#x27;amour, Film Socialisme. All of these films look and feel like 60s Godard, though evolved obviously, especially Eloge de l&#x27;amour, which I think is just as much of a masterpiece as his other Bretchian pieces like Pierrot le fou or Weekend, and is very clearly Godardian. It&#x27;s clear he went a bit bonkers during the 70s and early 80s, but post-King Lear he&#x27;s very much returned to the 60s Godard we once knew. The difference is, he&#x27;s just dispensed the pop art aesthetic and has just left the &quot;core&quot; of what his films were always about to begin with. </p>
<p>I&#x27;ll admit though, I&#x27;m a bit worried about Adieu au language. It feels like it&#x27;s just designed to give the middle finger to Hollywood. Sure, he ribbed Hollywood (and America) in Eloge de l&#x27;amour, but I&#x27;m not sure an entire film premised on that idea would be successful.</p>
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