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	Comments on: In Theaters: &#8216;Hot Tub Time Machine,&#8217; &#8216;How To Train Your Dragon,&#8217; &#8216;Chloe&#8217;	</title>
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		By: Mike		</title>
		<link>https://staging2.theplaylist.net/in-theaters-hot-tub-time-machine-how-to-20100326/#comment-17835</link>

		<dc:creator><![CDATA[Mike]]></dc:creator>
		<pubDate>Fri, 26 Mar 2010 21:18:09 +0000</pubDate>
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					<description><![CDATA[I agree with your comments about Waking Sleeping Beauty; i saw it at the Toronto filmfest and quite surprised by how much i enjoyed it despite the rather dry KenBurns style. Nobody can deny what an important period for animation and for Disney itself their mid-90s era turned out to be. &lt;br /&gt;It was a weird counterpoint to a doc that screened at TIFF years earlier though called &#034;The Sweatbox&#034;, an incredibly no-holds-barred expose of Sting&#039;s problems with Disney while doing the music for &#034;The Emperor&#039;s New Groove&#034;, seemingly granted unlimited access to certain backroom conversations on the mere virtue of the fact that he&#039;s international pop superstar Sting. One of the most fascinating un-PR&#039;d looks into the Disney creative process I&#039;ve known to exist (if the film even exists at all anymore; i&#039;ve never known it to screen at another festival or be released in any format.)  I politely asked Peter Schneider about his thoughts on that film after TIFF&#039;s &#034;Waking Sleeping Beauty&#034; screening and he diplomatically gave a vague answer about the powers that be simply not agreeing with points of the doc and exercising their say in not allowing its release.]]></description>
			<content:encoded><![CDATA[<p>I agree with your comments about Waking Sleeping Beauty; i saw it at the Toronto filmfest and quite surprised by how much i enjoyed it despite the rather dry KenBurns style. Nobody can deny what an important period for animation and for Disney itself their mid-90s era turned out to be. <br />It was a weird counterpoint to a doc that screened at TIFF years earlier though called &quot;The Sweatbox&quot;, an incredibly no-holds-barred expose of Sting&#39;s problems with Disney while doing the music for &quot;The Emperor&#39;s New Groove&quot;, seemingly granted unlimited access to certain backroom conversations on the mere virtue of the fact that he&#39;s international pop superstar Sting. One of the most fascinating un-PR&#39;d looks into the Disney creative process I&#39;ve known to exist (if the film even exists at all anymore; i&#39;ve never known it to screen at another festival or be released in any format.)  I politely asked Peter Schneider about his thoughts on that film after TIFF&#39;s &quot;Waking Sleeping Beauty&quot; screening and he diplomatically gave a vague answer about the powers that be simply not agreeing with points of the doc and exercising their say in not allowing its release.</p>
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