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	Comments on: Don Cheadle Says His Miles Davis Movie Is A &#8220;Gangster Pic&#8221; Set In 1979	</title>
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		<title>
		By: Andre Seewood		</title>
		<link>https://staging2.theplaylist.net/don-cheadle-says-his-miles-davis-movie-is-a-gangster-pic-set-in-1979-20120102/#comment-123364</link>

		<dc:creator><![CDATA[Andre Seewood]]></dc:creator>
		<pubDate>Sun, 22 May 2016 04:43:15 +0000</pubDate>
		<guid isPermaLink="false">http://www.indiewire.com/2012/more/uncategorized/don-cheadle-says-his-miles-davis-movie-is-a-gangster-pic-set-in-1979-254685/#comment-123364</guid>

					<description><![CDATA[Finally, someone with the guts, integrity and the acting ability to try and do something different with the story of an iconic musician.  God bless Don Cheadle.  I pray he gets that film made.   It would be great to once again have to option (the choice I dare say) to go see either George Tillman Jr&#x27;s &#034;pedestrian&#034; by-the-numbers bio-pic  (Notorious was awful) or Cheadle&#x27;s daring approach: that would be fantastic.  But alas, I fear it is but a dream.  Neither studio would want to &#034;split&#034; the African-American audience in fear of losing precious first and second weekend box-office.  Although a film on Miles Davis &#034;in theory&#034; should have an international market appeal (where ever jazz has been played in the world)- and Cheadle should definitely look for some type of international co-financing for this project.  Miles did the score for a French film Louis Malle&#x27;s Elevator to the Gallows, so I&#x27;d start there in France.  I can foresee that there might be some controversy surrounding his approach to Miles Davis, but somebody, somewhere has to shake things up a bit in African-American cinema; without the risks there aren&#x27;t going to be any rewards.]]></description>
			<content:encoded><![CDATA[<p>Finally, someone with the guts, integrity and the acting ability to try and do something different with the story of an iconic musician.  God bless Don Cheadle.  I pray he gets that film made.   It would be great to once again have to option (the choice I dare say) to go see either George Tillman Jr&#x27;s &quot;pedestrian&quot; by-the-numbers bio-pic  (Notorious was awful) or Cheadle&#x27;s daring approach: that would be fantastic.  But alas, I fear it is but a dream.  Neither studio would want to &quot;split&quot; the African-American audience in fear of losing precious first and second weekend box-office.  Although a film on Miles Davis &quot;in theory&quot; should have an international market appeal (where ever jazz has been played in the world)- and Cheadle should definitely look for some type of international co-financing for this project.  Miles did the score for a French film Louis Malle&#x27;s Elevator to the Gallows, so I&#x27;d start there in France.  I can foresee that there might be some controversy surrounding his approach to Miles Davis, but somebody, somewhere has to shake things up a bit in African-American cinema; without the risks there aren&#x27;t going to be any rewards.</p>
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		<title>
		By: Pike		</title>
		<link>https://staging2.theplaylist.net/don-cheadle-says-his-miles-davis-movie-is-a-gangster-pic-set-in-1979-20120102/#comment-123365</link>

		<dc:creator><![CDATA[Pike]]></dc:creator>
		<pubDate>Sun, 22 May 2016 04:43:15 +0000</pubDate>
		<guid isPermaLink="false">http://www.indiewire.com/2012/more/uncategorized/don-cheadle-says-his-miles-davis-movie-is-a-gangster-pic-set-in-1979-254685/#comment-123365</guid>

					<description><![CDATA[Sounds pretty wild and cool. And when it comes to biopics, especially those of legendary musicians, that&#x27;s what I like. I can&#x27;t watch regular biopics anymore since having seen &#x27;&#x27;I&#x27;m Not There&#x27;&#x27;. Honestly, which of the two most accurately captures the spirit and the energy of the career of their respective subjects; Walk the Line or I&#x27;m Not There? I&#x27;m all for &#x27;&#x27;cubist&#x27;&#x27; or &#x27;&#x27;abstract&#x27;&#x27; or whatever name they want to put on it, as long as it&#x27;s not another &#x27;&#x27;cradle to the grave&#x27;&#x27; story! I Hope this gets made.]]></description>
			<content:encoded><![CDATA[<p>Sounds pretty wild and cool. And when it comes to biopics, especially those of legendary musicians, that&#x27;s what I like. I can&#x27;t watch regular biopics anymore since having seen &#x27;&#x27;I&#x27;m Not There&#x27;&#x27;. Honestly, which of the two most accurately captures the spirit and the energy of the career of their respective subjects; Walk the Line or I&#x27;m Not There? I&#x27;m all for &#x27;&#x27;cubist&#x27;&#x27; or &#x27;&#x27;abstract&#x27;&#x27; or whatever name they want to put on it, as long as it&#x27;s not another &#x27;&#x27;cradle to the grave&#x27;&#x27; story! I Hope this gets made.</p>
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