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	<title>
	Comments on: Christopher Nolan Praises 70mm Release Of &#8216;The Hateful Eight,&#8217; Warns Cinemas Are Becoming &#8220;An Empty Room With A TV In It&#8221;	</title>
	<atom:link href="https://staging2.theplaylist.net/christopher-nolan-praises-70mm-release-of-the-hateful-eight-warns-cinemas-are-becoming-an-empty-room-with-a-tv-in-it-20151012/feed/" rel="self" type="application/rss+xml" />
	<link>https://staging2.theplaylist.net/christopher-nolan-praises-70mm-release-of-the-hateful-eight-warns-cinemas-are-becoming-an-empty-room-with-a-tv-in-it-20151012/</link>
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		<title>
		By: Jenna		</title>
		<link>https://staging2.theplaylist.net/christopher-nolan-praises-70mm-release-of-the-hateful-eight-warns-cinemas-are-becoming-an-empty-room-with-a-tv-in-it-20151012/#comment-82740</link>

		<dc:creator><![CDATA[Jenna]]></dc:creator>
		<pubDate>Fri, 13 May 2016 13:02:47 +0000</pubDate>
		<guid isPermaLink="false">http://www.indiewire.com/2015/more/uncategorized/christopher-nolan-praises-70mm-release-of-the-hateful-eight-warns-cinemas-are-becoming-an-empty-room-with-a-tv-in-it-113334/#comment-82740</guid>

					<description><![CDATA[I work in for a cinema (trained old school projection) and whilst I LOVE film and miss the humm of the projection room, digital is much more enjoyable. Dont have to waste time on labour making up prints, or winding into films to change out ads every week.  No more scratches and damaged prints, no sound popping, just a click on a computer and you\&#039;re good to go! Its cheaper to run, distribute and the quality is better ALL the time for the customers. Overall the benefits out way the negatives by far!!! And the only reason theatres exist is to make money  (it\&#039;s how the world revolves people!!) Perhaps some companies are greedy and charge more than they should, but here in Chch NZ we only charge $10/seat and as a business we\&#039;re surviving fine! YAY for digital and YAY for #CheapTix! :-D]]></description>
			<content:encoded><![CDATA[<p>I work in for a cinema (trained old school projection) and whilst I LOVE film and miss the humm of the projection room, digital is much more enjoyable. Dont have to waste time on labour making up prints, or winding into films to change out ads every week.  No more scratches and damaged prints, no sound popping, just a click on a computer and you\&#8217;re good to go! Its cheaper to run, distribute and the quality is better ALL the time for the customers. Overall the benefits out way the negatives by far!!! And the only reason theatres exist is to make money  (it\&#8217;s how the world revolves people!!) Perhaps some companies are greedy and charge more than they should, but here in Chch NZ we only charge $10/seat and as a business we\&#8217;re surviving fine! YAY for digital and YAY for #CheapTix! 😀</p>
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		<title>
		By: Jonathan		</title>
		<link>https://staging2.theplaylist.net/christopher-nolan-praises-70mm-release-of-the-hateful-eight-warns-cinemas-are-becoming-an-empty-room-with-a-tv-in-it-20151012/#comment-82751</link>

		<dc:creator><![CDATA[Jonathan]]></dc:creator>
		<pubDate>Fri, 13 May 2016 13:02:47 +0000</pubDate>
		<guid isPermaLink="false">http://www.indiewire.com/2015/more/uncategorized/christopher-nolan-praises-70mm-release-of-the-hateful-eight-warns-cinemas-are-becoming-an-empty-room-with-a-tv-in-it-113334/#comment-82751</guid>

					<description><![CDATA[I love these filmmakers, but these men don\&#039;t seem to recognize what they actually are: fetishists and nostalgists. The vast majority of the audience simply does not care whether it\&#039;s watching a film print or a digital projection. In fact, they don\&#039;t even know the difference. It\&#039;s simply not on their radar. They like a good movie, a good story. If the cinema dies, it won\&#039;t be because it abandoned film. It will be because the audience decided it could get as much pleasure from movies at home as they could inside a theater.]]></description>
			<content:encoded><![CDATA[<p>I love these filmmakers, but these men don\&#8217;t seem to recognize what they actually are: fetishists and nostalgists. The vast majority of the audience simply does not care whether it\&#8217;s watching a film print or a digital projection. In fact, they don\&#8217;t even know the difference. It\&#8217;s simply not on their radar. They like a good movie, a good story. If the cinema dies, it won\&#8217;t be because it abandoned film. It will be because the audience decided it could get as much pleasure from movies at home as they could inside a theater.</p>
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		<title>
		By: Marla		</title>
		<link>https://staging2.theplaylist.net/christopher-nolan-praises-70mm-release-of-the-hateful-eight-warns-cinemas-are-becoming-an-empty-room-with-a-tv-in-it-20151012/#comment-82750</link>

		<dc:creator><![CDATA[Marla]]></dc:creator>
		<pubDate>Fri, 13 May 2016 13:02:47 +0000</pubDate>
		<guid isPermaLink="false">http://www.indiewire.com/2015/more/uncategorized/christopher-nolan-praises-70mm-release-of-the-hateful-eight-warns-cinemas-are-becoming-an-empty-room-with-a-tv-in-it-113334/#comment-82750</guid>

					<description><![CDATA[It\&#039;s nothing to do with nostalgia, Jonathan. It\&#039;s about the art of film exhibition. Whilst I understand that the majority doesn\&#039;t care, especially considering millions are happy to watch a beat up bootleg of a new film (shot on a mobile phone) on a laptop.  Everything has changed, and the theatrical experience has been cheapened, lead by Cineworld. I still think most people would prefer to watch a film where you walk into the lobby and see a box office, enter a cinema with curtains and watch a film projected on 70mm.  What we\&#039;re now getting is an experience where you enter the foyer, and pay using paypoints like in Tesco. Then go into an auditorium without curtains and an experience that builds up to an exciting crescendo, and ends with a film projected from a Blu Ray disc or inferior 4k on a screen with no masking so that there are black lines at the top and bottom of the screen!!!  It\&#039;s nothing to do with nostalgia, it\&#039;s a better resolution and that\&#039;s a fact. There is no better film projection, digital or otherwise that can rival 70mm film.  Do you see what I\&#039;m getting at here? People are being short changed, ripped off, and they don\&#039;t even know. There has been no reduction in costs, so quite clearly they are pocketing the extra money.  Unconsciously people have started the realize this, hence the reason more and more cinemas are refitting their cinemas with film projectors, to which there are not over 100 in the UK.  More people are realizing if it\&#039;s not projected properly and getting refunds.  The main reason for this is because of people like Spielberg, Nolan, Scorsese, Tarrantino, Soderberg and Lynch etc, etc.  ]]></description>
			<content:encoded><![CDATA[<p>It\&#8217;s nothing to do with nostalgia, Jonathan. It\&#8217;s about the art of film exhibition. Whilst I understand that the majority doesn\&#8217;t care, especially considering millions are happy to watch a beat up bootleg of a new film (shot on a mobile phone) on a laptop.  Everything has changed, and the theatrical experience has been cheapened, lead by Cineworld. I still think most people would prefer to watch a film where you walk into the lobby and see a box office, enter a cinema with curtains and watch a film projected on 70mm.  What we\&#8217;re now getting is an experience where you enter the foyer, and pay using paypoints like in Tesco. Then go into an auditorium without curtains and an experience that builds up to an exciting crescendo, and ends with a film projected from a Blu Ray disc or inferior 4k on a screen with no masking so that there are black lines at the top and bottom of the screen!!!  It\&#8217;s nothing to do with nostalgia, it\&#8217;s a better resolution and that\&#8217;s a fact. There is no better film projection, digital or otherwise that can rival 70mm film.  Do you see what I\&#8217;m getting at here? People are being short changed, ripped off, and they don\&#8217;t even know. There has been no reduction in costs, so quite clearly they are pocketing the extra money.  Unconsciously people have started the realize this, hence the reason more and more cinemas are refitting their cinemas with film projectors, to which there are not over 100 in the UK.  More people are realizing if it\&#8217;s not projected properly and getting refunds.  The main reason for this is because of people like Spielberg, Nolan, Scorsese, Tarrantino, Soderberg and Lynch etc, etc.  </p>
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		<title>
		By: Gilles		</title>
		<link>https://staging2.theplaylist.net/christopher-nolan-praises-70mm-release-of-the-hateful-eight-warns-cinemas-are-becoming-an-empty-room-with-a-tv-in-it-20151012/#comment-82749</link>

		<dc:creator><![CDATA[Gilles]]></dc:creator>
		<pubDate>Fri, 13 May 2016 13:02:47 +0000</pubDate>
		<guid isPermaLink="false">http://www.indiewire.com/2015/more/uncategorized/christopher-nolan-praises-70mm-release-of-the-hateful-eight-warns-cinemas-are-becoming-an-empty-room-with-a-tv-in-it-113334/#comment-82749</guid>

					<description><![CDATA[I have to agree with you there Jonathan. Completely. The story is what connects first and foremost. (and I would even call myself a analogue film fetishist) ]]></description>
			<content:encoded><![CDATA[<p>I have to agree with you there Jonathan. Completely. The story is what connects first and foremost. (and I would even call myself a analogue film fetishist) </p>
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		<title>
		By: mms		</title>
		<link>https://staging2.theplaylist.net/christopher-nolan-praises-70mm-release-of-the-hateful-eight-warns-cinemas-are-becoming-an-empty-room-with-a-tv-in-it-20151012/#comment-82748</link>

		<dc:creator><![CDATA[mms]]></dc:creator>
		<pubDate>Fri, 13 May 2016 13:02:47 +0000</pubDate>
		<guid isPermaLink="false">http://www.indiewire.com/2015/more/uncategorized/christopher-nolan-praises-70mm-release-of-the-hateful-eight-warns-cinemas-are-becoming-an-empty-room-with-a-tv-in-it-113334/#comment-82748</guid>

					<description><![CDATA[Nolan certainly has a point, and a very important one. As long as it involves mainly the continuation of (brighter) digital projection in some form, with upped standard of 4K+ resolution, bigger screens, evolvement into laser-projection or other for brighter images and better black level/grey scale, higher fps, etc. Mint condition close-to-source 70mm projection is more than welcome as well, but any reinstated widespread use of far-from-source, run-of-the-mill 35mm prints I\&#039;d much rather avoid. It\&#039;s a mystery to me why Nolan would fail to realize the sub-level quality of such 35mm projections for the general audience at multiplexes that has often ocurred, but having a top calibrated privat screening room with perfect 35mm copies - as I\&#039;m guessing is Mr. Nolan\&#039;s reference - likely has a distorting effect into this fact.]]></description>
			<content:encoded><![CDATA[<p>Nolan certainly has a point, and a very important one. As long as it involves mainly the continuation of (brighter) digital projection in some form, with upped standard of 4K+ resolution, bigger screens, evolvement into laser-projection or other for brighter images and better black level/grey scale, higher fps, etc. Mint condition close-to-source 70mm projection is more than welcome as well, but any reinstated widespread use of far-from-source, run-of-the-mill 35mm prints I\&#8217;d much rather avoid. It\&#8217;s a mystery to me why Nolan would fail to realize the sub-level quality of such 35mm projections for the general audience at multiplexes that has often ocurred, but having a top calibrated privat screening room with perfect 35mm copies &#8211; as I\&#8217;m guessing is Mr. Nolan\&#8217;s reference &#8211; likely has a distorting effect into this fact.</p>
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		<title>
		By: droop		</title>
		<link>https://staging2.theplaylist.net/christopher-nolan-praises-70mm-release-of-the-hateful-eight-warns-cinemas-are-becoming-an-empty-room-with-a-tv-in-it-20151012/#comment-82747</link>

		<dc:creator><![CDATA[droop]]></dc:creator>
		<pubDate>Fri, 13 May 2016 13:02:47 +0000</pubDate>
		<guid isPermaLink="false">http://www.indiewire.com/2015/more/uncategorized/christopher-nolan-praises-70mm-release-of-the-hateful-eight-warns-cinemas-are-becoming-an-empty-room-with-a-tv-in-it-113334/#comment-82747</guid>

					<description><![CDATA[marla: soderbergh and lynch? you know both of them are huge proponents of digital film making right? i would substitute with pta.]]></description>
			<content:encoded><![CDATA[<p>marla: soderbergh and lynch? you know both of them are huge proponents of digital film making right? i would substitute with pta.</p>
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		<title>
		By: Lars		</title>
		<link>https://staging2.theplaylist.net/christopher-nolan-praises-70mm-release-of-the-hateful-eight-warns-cinemas-are-becoming-an-empty-room-with-a-tv-in-it-20151012/#comment-82746</link>

		<dc:creator><![CDATA[Lars]]></dc:creator>
		<pubDate>Fri, 13 May 2016 13:02:47 +0000</pubDate>
		<guid isPermaLink="false">http://www.indiewire.com/2015/more/uncategorized/christopher-nolan-praises-70mm-release-of-the-hateful-eight-warns-cinemas-are-becoming-an-empty-room-with-a-tv-in-it-113334/#comment-82746</guid>

					<description><![CDATA[Just because the (dumb) masses don\&#039;t see any difference or just care for the story (or rather plot to be precise), doesn\&#039;t mean it\&#039;s great there are at least two or three guys in Hollywood left that care for actual quality in cinema.]]></description>
			<content:encoded><![CDATA[<p>Just because the (dumb) masses don\&#8217;t see any difference or just care for the story (or rather plot to be precise), doesn\&#8217;t mean it\&#8217;s great there are at least two or three guys in Hollywood left that care for actual quality in cinema.</p>
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		<title>
		By: Jordan		</title>
		<link>https://staging2.theplaylist.net/christopher-nolan-praises-70mm-release-of-the-hateful-eight-warns-cinemas-are-becoming-an-empty-room-with-a-tv-in-it-20151012/#comment-82745</link>

		<dc:creator><![CDATA[Jordan]]></dc:creator>
		<pubDate>Fri, 13 May 2016 13:02:47 +0000</pubDate>
		<guid isPermaLink="false">http://www.indiewire.com/2015/more/uncategorized/christopher-nolan-praises-70mm-release-of-the-hateful-eight-warns-cinemas-are-becoming-an-empty-room-with-a-tv-in-it-113334/#comment-82745</guid>

					<description><![CDATA[It can cost anywhere from $15,000 - $25,000 per print, PER PRINT just a few years ago.  A digital print is less than $200  - Now multiple that by 4000 screens.  Its about the distribution of a film. 

Digital print has become a lifeline for many indie filmmakers.]]></description>
			<content:encoded><![CDATA[<p>It can cost anywhere from $15,000 &#8211; $25,000 per print, PER PRINT just a few years ago.  A digital print is less than $200  &#8211; Now multiple that by 4000 screens.  Its about the distribution of a film. </p>
<p>Digital print has become a lifeline for many indie filmmakers.</p>
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		<title>
		By: Angel Mirou		</title>
		<link>https://staging2.theplaylist.net/christopher-nolan-praises-70mm-release-of-the-hateful-eight-warns-cinemas-are-becoming-an-empty-room-with-a-tv-in-it-20151012/#comment-82744</link>

		<dc:creator><![CDATA[Angel Mirou]]></dc:creator>
		<pubDate>Fri, 13 May 2016 13:02:47 +0000</pubDate>
		<guid isPermaLink="false">http://www.indiewire.com/2015/more/uncategorized/christopher-nolan-praises-70mm-release-of-the-hateful-eight-warns-cinemas-are-becoming-an-empty-room-with-a-tv-in-it-113334/#comment-82744</guid>

					<description><![CDATA[I agree with everything Mr Nolan says... up to the point when he sneers at filmmakers happy to have cheap digital cameras to make their movies. Not everybody can afford to destroy an IMAX camera in the process of shooting a film. Yes, audiences don\&#039;t need to care about how much the film costs, but they might care that a wider variety of stories reach the big, bigger, biggie screen thanks to a democratization of film production. It might be unintentional, but his last quoted argument sounds like the filmmaking version of &#034;let them eat cake&#034;. 

Having said that, I\&#039;d happily pay double price for watching a good 70 mm copy of Lawrence of Arabia on a large screen, as opposed to ridiculous, overpriced, 3D rubbish pretending to throw things at me. ]]></description>
			<content:encoded><![CDATA[<p>I agree with everything Mr Nolan says&#8230; up to the point when he sneers at filmmakers happy to have cheap digital cameras to make their movies. Not everybody can afford to destroy an IMAX camera in the process of shooting a film. Yes, audiences don\&#8217;t need to care about how much the film costs, but they might care that a wider variety of stories reach the big, bigger, biggie screen thanks to a democratization of film production. It might be unintentional, but his last quoted argument sounds like the filmmaking version of &quot;let them eat cake&quot;. </p>
<p>Having said that, I\&#8217;d happily pay double price for watching a good 70 mm copy of Lawrence of Arabia on a large screen, as opposed to ridiculous, overpriced, 3D rubbish pretending to throw things at me. </p>
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		<title>
		By: Paul Grajnert		</title>
		<link>https://staging2.theplaylist.net/christopher-nolan-praises-70mm-release-of-the-hateful-eight-warns-cinemas-are-becoming-an-empty-room-with-a-tv-in-it-20151012/#comment-82743</link>

		<dc:creator><![CDATA[Paul Grajnert]]></dc:creator>
		<pubDate>Fri, 13 May 2016 13:02:47 +0000</pubDate>
		<guid isPermaLink="false">http://www.indiewire.com/2015/more/uncategorized/christopher-nolan-praises-70mm-release-of-the-hateful-eight-warns-cinemas-are-becoming-an-empty-room-with-a-tv-in-it-113334/#comment-82743</guid>

					<description><![CDATA[Theaters got people into seats for all sorts of reasons that had nothing to do with the movies. Certainly, the movie ticket has never been the center of profit for theaters. Filmmakers need to adapt to the changes in the marketplace. The art form itself needs to find where its storytelling abilities will add value. For instance: Movies added value to the popcorn and candy selling business in the past. Where can single-experience, large format visual stories create value now? That\&#039;s how we save and expand the movies\&#039; reach.
]]></description>
			<content:encoded><![CDATA[<p>Theaters got people into seats for all sorts of reasons that had nothing to do with the movies. Certainly, the movie ticket has never been the center of profit for theaters. Filmmakers need to adapt to the changes in the marketplace. The art form itself needs to find where its storytelling abilities will add value. For instance: Movies added value to the popcorn and candy selling business in the past. Where can single-experience, large format visual stories create value now? That\&#8217;s how we save and expand the movies\&#8217; reach.</p>
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		<title>
		By: Hank		</title>
		<link>https://staging2.theplaylist.net/christopher-nolan-praises-70mm-release-of-the-hateful-eight-warns-cinemas-are-becoming-an-empty-room-with-a-tv-in-it-20151012/#comment-82742</link>

		<dc:creator><![CDATA[Hank]]></dc:creator>
		<pubDate>Fri, 13 May 2016 13:02:47 +0000</pubDate>
		<guid isPermaLink="false">http://www.indiewire.com/2015/more/uncategorized/christopher-nolan-praises-70mm-release-of-the-hateful-eight-warns-cinemas-are-becoming-an-empty-room-with-a-tv-in-it-113334/#comment-82742</guid>

					<description><![CDATA[Used to be a time when theatres actually created a cinematic experience for their patrons.  You\&#039;d enter the auditorium.  The lights would be low.  The curtains drawn.  Music from the film might be playing softly in the background.  You sat in eager anticipation.  Then the light would dim.  The curtains would open.  And you\&#039;d be sucked into another world.  Today?  A concrete block dodecaplex with the sound cranked to &#034;12&#034; by the deaf teen projectionist.  Ad after ad after ad after...  Then... POP! as the ads slam into previews - now at twice the decibel level as before.  If I want this experience, I can crash my car into stuff.  ]]></description>
			<content:encoded><![CDATA[<p>Used to be a time when theatres actually created a cinematic experience for their patrons.  You\&#8217;d enter the auditorium.  The lights would be low.  The curtains drawn.  Music from the film might be playing softly in the background.  You sat in eager anticipation.  Then the light would dim.  The curtains would open.  And you\&#8217;d be sucked into another world.  Today?  A concrete block dodecaplex with the sound cranked to &quot;12&quot; by the deaf teen projectionist.  Ad after ad after ad after&#8230;  Then&#8230; POP! as the ads slam into previews &#8211; now at twice the decibel level as before.  If I want this experience, I can crash my car into stuff.  </p>
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		<title>
		By: Kenneth Crater		</title>
		<link>https://staging2.theplaylist.net/christopher-nolan-praises-70mm-release-of-the-hateful-eight-warns-cinemas-are-becoming-an-empty-room-with-a-tv-in-it-20151012/#comment-82741</link>

		<dc:creator><![CDATA[Kenneth Crater]]></dc:creator>
		<pubDate>Fri, 13 May 2016 13:02:47 +0000</pubDate>
		<guid isPermaLink="false">http://www.indiewire.com/2015/more/uncategorized/christopher-nolan-praises-70mm-release-of-the-hateful-eight-warns-cinemas-are-becoming-an-empty-room-with-a-tv-in-it-113334/#comment-82741</guid>

					<description><![CDATA[I wanted to post a comment but it called me spammy. Which is interesting because it\&#039;s not.]]></description>
			<content:encoded><![CDATA[<p>I wanted to post a comment but it called me spammy. Which is interesting because it\&#8217;s not.</p>
]]></content:encoded>
		
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		<title>
		By: Keith Carrizosa		</title>
		<link>https://staging2.theplaylist.net/christopher-nolan-praises-70mm-release-of-the-hateful-eight-warns-cinemas-are-becoming-an-empty-room-with-a-tv-in-it-20151012/#comment-82728</link>

		<dc:creator><![CDATA[Keith Carrizosa]]></dc:creator>
		<pubDate>Fri, 13 May 2016 13:02:47 +0000</pubDate>
		<guid isPermaLink="false">http://www.indiewire.com/2015/more/uncategorized/christopher-nolan-praises-70mm-release-of-the-hateful-eight-warns-cinemas-are-becoming-an-empty-room-with-a-tv-in-it-113334/#comment-82728</guid>

					<description><![CDATA[(not part of last comment) Hollywood studios have cited that the cost of shipping film prints is their primary cause for not switching back.  The reason for that is the giant metal REELS (not the film itself, which is just a little roll).  Why can\&#039;t they just ship the LITTLE film rolls and have someone at the theaters have re-usable reels and place the film roll on them there at the theater?  Why DO we have to ship the big metal reels that weigh hundreds of pounds instead of just having theaters have their own reels there to attack the film to?

  I think we should consider this, attaching film rolls to the metal reels AT THE THEATERS so we don\&#039;t have to ship these giant reels. 

 Just train someone at the theaters how to attach a film roll onto the reels.  

Can\&#039;t be that hard can it?]]></description>
			<content:encoded><![CDATA[<p>(not part of last comment) Hollywood studios have cited that the cost of shipping film prints is their primary cause for not switching back.  The reason for that is the giant metal REELS (not the film itself, which is just a little roll).  Why can\&#8217;t they just ship the LITTLE film rolls and have someone at the theaters have re-usable reels and place the film roll on them there at the theater?  Why DO we have to ship the big metal reels that weigh hundreds of pounds instead of just having theaters have their own reels there to attack the film to?</p>
<p>  I think we should consider this, attaching film rolls to the metal reels AT THE THEATERS so we don\&#8217;t have to ship these giant reels. </p>
<p> Just train someone at the theaters how to attach a film roll onto the reels.  </p>
<p>Can\&#8217;t be that hard can it?</p>
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		<title>
		By: Dan Martinez		</title>
		<link>https://staging2.theplaylist.net/christopher-nolan-praises-70mm-release-of-the-hateful-eight-warns-cinemas-are-becoming-an-empty-room-with-a-tv-in-it-20151012/#comment-82739</link>

		<dc:creator><![CDATA[Dan Martinez]]></dc:creator>
		<pubDate>Fri, 13 May 2016 13:02:47 +0000</pubDate>
		<guid isPermaLink="false">http://www.indiewire.com/2015/more/uncategorized/christopher-nolan-praises-70mm-release-of-the-hateful-eight-warns-cinemas-are-becoming-an-empty-room-with-a-tv-in-it-113334/#comment-82739</guid>

					<description><![CDATA[Putting more film projectors will not save cinema. Too many theaters have already converted and those that are holding out are either struggling or shutting down completely. 

I don\&#039;t see this argument working at a basic financial level. ]]></description>
			<content:encoded><![CDATA[<p>Putting more film projectors will not save cinema. Too many theaters have already converted and those that are holding out are either struggling or shutting down completely. </p>
<p>I don\&#8217;t see this argument working at a basic financial level. </p>
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		<item>
		<title>
		By: Brian		</title>
		<link>https://staging2.theplaylist.net/christopher-nolan-praises-70mm-release-of-the-hateful-eight-warns-cinemas-are-becoming-an-empty-room-with-a-tv-in-it-20151012/#comment-82738</link>

		<dc:creator><![CDATA[Brian]]></dc:creator>
		<pubDate>Fri, 13 May 2016 13:02:47 +0000</pubDate>
		<guid isPermaLink="false">http://www.indiewire.com/2015/more/uncategorized/christopher-nolan-praises-70mm-release-of-the-hateful-eight-warns-cinemas-are-becoming-an-empty-room-with-a-tv-in-it-113334/#comment-82738</guid>

					<description><![CDATA[And on the indie level, people are arguing against shooting 4K because &#034;nobody will notice&#034; and it supposedly costs too much.  I\&#039;m not about to convert back to film, but I think Nolan\&#039;s principles about treating it like it matters mean a lot.  There\&#039;s a saying that &#034;film is forever&#034; and even if it\&#039;s a digital &#034;print&#034; we should still honor the craft with the same reverence as something that cost more than we could afford.]]></description>
			<content:encoded><![CDATA[<p>And on the indie level, people are arguing against shooting 4K because &quot;nobody will notice&quot; and it supposedly costs too much.  I\&#8217;m not about to convert back to film, but I think Nolan\&#8217;s principles about treating it like it matters mean a lot.  There\&#8217;s a saying that &quot;film is forever&quot; and even if it\&#8217;s a digital &quot;print&quot; we should still honor the craft with the same reverence as something that cost more than we could afford.</p>
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		<title>
		By: Tye		</title>
		<link>https://staging2.theplaylist.net/christopher-nolan-praises-70mm-release-of-the-hateful-eight-warns-cinemas-are-becoming-an-empty-room-with-a-tv-in-it-20151012/#comment-82737</link>

		<dc:creator><![CDATA[Tye]]></dc:creator>
		<pubDate>Fri, 13 May 2016 13:02:47 +0000</pubDate>
		<guid isPermaLink="false">http://www.indiewire.com/2015/more/uncategorized/christopher-nolan-praises-70mm-release-of-the-hateful-eight-warns-cinemas-are-becoming-an-empty-room-with-a-tv-in-it-113334/#comment-82737</guid>

					<description><![CDATA[There is some confusion here that needs to be remedied. First off, when James Cameron forced everyone to buy digital projectors for Avatar in 2009, he set in motion the end of 35mm projection. What he didn\&#039;t expect is theaters who couldn\&#039;t afford digital projection systems, either went out of business a few years later OR bought very inexpensive 1920x1080 projectors, the same resolution as BluRay. Those same inexpensive projectors are still in use today because most theaters don\&#039;t make enough money to continue buying new projectors. Those projectors are all out of calibration, look like crap with extremely flat black levels and since there isn\&#039;t a projectionist taking care of the machines between shows, nobody notices or cares about the problem. Only a hand-full of top theaters in this country have decent digital projectors, most theaters don\&#039;t. Plus, with digital technology comes increased theater ownership, raising the ticket prices to unreasonable rates. Movies today come and go within two to four weeks, that\&#039;s because tickets are so expensive, people simply don\&#039;t go. This is actually a poor business model and its unsustainable. As theaters are forced to replace worn projectors, the prices of tickets will continue to raise following technology to a precipice where eventually, people just won\&#039;t go anymore. The theater industry was already in trouble back in 2009 and the 3D fad only took a few years to die off and has pretty much disappeared. 

The other critical point is differentiation between home viewing and theater viewing. When television came out, the motion picture industry came up with ways to attract people back into the big screen. However, prior to HD television, there was no contest, 35mm projection looked amazing in comparison. Today, most people\&#039;s home television is higher quality then any movie theater and most importantly, better contrast ratio. So the only reason for going to the theaters is to deal with expensive tickets, long lines, horrible seats, idiots on cell phones ruining the experience and half an hour of commercials before the show. Basically, there is zero reason to go because I have a digital cinema projector at my house, I have a fancy home theater and popcorn as well. I just wait for the movies to come out on BluRay and project it on my 15 foot wide wall. Sure, it\&#039;s not quite the same experience as I can only fit 8 people in my room, but honestly it\&#039;s a lot cheaper and easier. 

The reason why film needs to stick around AND be projected is to differentiate the movie theater from the home theater. Upping the resolution isn\&#039;t going to do anything because as pointed out above, very few people will notice a difference in resolution. However, most people will notice the difference between good film projection and digital projection. I\&#039;m talking films finished photochemically and projected properly on 35 or 70. It\&#039;s an old-school process, but its the only way to make what\&#039;s seen at the theater stand out. It\&#039;s IMPOSSIBLE to see that image at home, it\&#039;s IMPOSSIBLE to see that image after the initial screenings as well. Once the prints are worn, they\&#039;re returned/destroyed and you will &#034;Never get that experience again&#034;.  I\&#039;ve tried to mimmic the experience of seeing &#034;Interstellar&#034; in 70mm at home, but it\&#039;s no good. I\&#039;d do anything to watch that beautiful 70mm print again at the Cinerama Dome on the curved screen, with the audio set to 11, but that will never happen again. 

This is the reason why film needs to stick around. It\&#039;s actually going to be the medium that saves the movie theater in the end. Why? Because IT\&#039;S DIFFERENT! and it CAN\&#039;T BE SEEN AT HOME!!! A well calibrated projector and decent projectionist, can present a 35mm print perfectly. 70mm is actually more challenging and I\&#039;m ecstatic Tarantino spent so much effort and time re-building 70mm projectors in this country. He\&#039;s giving the consumer an experience they can\&#039;t have at home and that\&#039;s the point of all this. You can also add that celluloid is a true art-form because the light that exposes the film, is exactly what is seen on screen, unlike digital which is a translation of that light. 

Sure, there are some good digital projection systems out there, IMAX laser projectors for one, they\&#039;re pretty good. Yet, there are only 4 theaters in the world with that system because it costs three million dollars to purchase. Will the price eventually go down? Yes it will. Digital projection will eventually be a lot better then it is today, we\&#039;re absolutely going through the growing pain stage. However, we have 8K televisions for the home now and you can watch \&#039;House of Cards\&#039; in 4k at home on Netflix. 4k BluRay is right around the corner (CES 2016) and at that point, you really have no reason to visit any movie theater. The movie industry killed themselves by moving to digital; there is more piracy then ever, they closed down hundreds of small-town theaters, they forced price increases and crappy/worthless 3D technology onto consumers, driving people away from the cinema and they\&#039;re making worse and worse movies. Very soon the ride will come to an end and the only thing left standing will be a 100 year old technology called celluloid. 
]]></description>
			<content:encoded><![CDATA[<p>There is some confusion here that needs to be remedied. First off, when James Cameron forced everyone to buy digital projectors for Avatar in 2009, he set in motion the end of 35mm projection. What he didn\&#8217;t expect is theaters who couldn\&#8217;t afford digital projection systems, either went out of business a few years later OR bought very inexpensive 1920&#215;1080 projectors, the same resolution as BluRay. Those same inexpensive projectors are still in use today because most theaters don\&#8217;t make enough money to continue buying new projectors. Those projectors are all out of calibration, look like crap with extremely flat black levels and since there isn\&#8217;t a projectionist taking care of the machines between shows, nobody notices or cares about the problem. Only a hand-full of top theaters in this country have decent digital projectors, most theaters don\&#8217;t. Plus, with digital technology comes increased theater ownership, raising the ticket prices to unreasonable rates. Movies today come and go within two to four weeks, that\&#8217;s because tickets are so expensive, people simply don\&#8217;t go. This is actually a poor business model and its unsustainable. As theaters are forced to replace worn projectors, the prices of tickets will continue to raise following technology to a precipice where eventually, people just won\&#8217;t go anymore. The theater industry was already in trouble back in 2009 and the 3D fad only took a few years to die off and has pretty much disappeared. </p>
<p>The other critical point is differentiation between home viewing and theater viewing. When television came out, the motion picture industry came up with ways to attract people back into the big screen. However, prior to HD television, there was no contest, 35mm projection looked amazing in comparison. Today, most people\&#8217;s home television is higher quality then any movie theater and most importantly, better contrast ratio. So the only reason for going to the theaters is to deal with expensive tickets, long lines, horrible seats, idiots on cell phones ruining the experience and half an hour of commercials before the show. Basically, there is zero reason to go because I have a digital cinema projector at my house, I have a fancy home theater and popcorn as well. I just wait for the movies to come out on BluRay and project it on my 15 foot wide wall. Sure, it\&#8217;s not quite the same experience as I can only fit 8 people in my room, but honestly it\&#8217;s a lot cheaper and easier. </p>
<p>The reason why film needs to stick around AND be projected is to differentiate the movie theater from the home theater. Upping the resolution isn\&#8217;t going to do anything because as pointed out above, very few people will notice a difference in resolution. However, most people will notice the difference between good film projection and digital projection. I\&#8217;m talking films finished photochemically and projected properly on 35 or 70. It\&#8217;s an old-school process, but its the only way to make what\&#8217;s seen at the theater stand out. It\&#8217;s IMPOSSIBLE to see that image at home, it\&#8217;s IMPOSSIBLE to see that image after the initial screenings as well. Once the prints are worn, they\&#8217;re returned/destroyed and you will &quot;Never get that experience again&quot;.  I\&#8217;ve tried to mimmic the experience of seeing &quot;Interstellar&quot; in 70mm at home, but it\&#8217;s no good. I\&#8217;d do anything to watch that beautiful 70mm print again at the Cinerama Dome on the curved screen, with the audio set to 11, but that will never happen again. </p>
<p>This is the reason why film needs to stick around. It\&#8217;s actually going to be the medium that saves the movie theater in the end. Why? Because IT\&#8217;S DIFFERENT! and it CAN\&#8217;T BE SEEN AT HOME!!! A well calibrated projector and decent projectionist, can present a 35mm print perfectly. 70mm is actually more challenging and I\&#8217;m ecstatic Tarantino spent so much effort and time re-building 70mm projectors in this country. He\&#8217;s giving the consumer an experience they can\&#8217;t have at home and that\&#8217;s the point of all this. You can also add that celluloid is a true art-form because the light that exposes the film, is exactly what is seen on screen, unlike digital which is a translation of that light. </p>
<p>Sure, there are some good digital projection systems out there, IMAX laser projectors for one, they\&#8217;re pretty good. Yet, there are only 4 theaters in the world with that system because it costs three million dollars to purchase. Will the price eventually go down? Yes it will. Digital projection will eventually be a lot better then it is today, we\&#8217;re absolutely going through the growing pain stage. However, we have 8K televisions for the home now and you can watch \&#8217;House of Cards\&#8217; in 4k at home on Netflix. 4k BluRay is right around the corner (CES 2016) and at that point, you really have no reason to visit any movie theater. The movie industry killed themselves by moving to digital; there is more piracy then ever, they closed down hundreds of small-town theaters, they forced price increases and crappy/worthless 3D technology onto consumers, driving people away from the cinema and they\&#8217;re making worse and worse movies. Very soon the ride will come to an end and the only thing left standing will be a 100 year old technology called celluloid. </p>
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		<title>
		By: Glass		</title>
		<link>https://staging2.theplaylist.net/christopher-nolan-praises-70mm-release-of-the-hateful-eight-warns-cinemas-are-becoming-an-empty-room-with-a-tv-in-it-20151012/#comment-82736</link>

		<dc:creator><![CDATA[Glass]]></dc:creator>
		<pubDate>Fri, 13 May 2016 13:02:47 +0000</pubDate>
		<guid isPermaLink="false">http://www.indiewire.com/2015/more/uncategorized/christopher-nolan-praises-70mm-release-of-the-hateful-eight-warns-cinemas-are-becoming-an-empty-room-with-a-tv-in-it-113334/#comment-82736</guid>

					<description><![CDATA[Just so everyone knows: most movies are projected at 2K or 1080 resolution, regardless of the capabilities of the projector. Finishing a movie in 4K is something that doesn\&#039;t happen as often as you\&#039;d think, and if it was shot with an Alexa (which maybe 1/3rd of all major studio movies are), it was captured in either 2K or 1080. That\&#039;s the funny thing about 4K blu-rays - they\&#039;re going to be blowing up the resolution on movies that weren\&#039;t even captured in 4K.]]></description>
			<content:encoded><![CDATA[<p>Just so everyone knows: most movies are projected at 2K or 1080 resolution, regardless of the capabilities of the projector. Finishing a movie in 4K is something that doesn\&#8217;t happen as often as you\&#8217;d think, and if it was shot with an Alexa (which maybe 1/3rd of all major studio movies are), it was captured in either 2K or 1080. That\&#8217;s the funny thing about 4K blu-rays &#8211; they\&#8217;re going to be blowing up the resolution on movies that weren\&#8217;t even captured in 4K.</p>
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		<title>
		By: Keith Carrizosa		</title>
		<link>https://staging2.theplaylist.net/christopher-nolan-praises-70mm-release-of-the-hateful-eight-warns-cinemas-are-becoming-an-empty-room-with-a-tv-in-it-20151012/#comment-82735</link>

		<dc:creator><![CDATA[Keith Carrizosa]]></dc:creator>
		<pubDate>Fri, 13 May 2016 13:02:47 +0000</pubDate>
		<guid isPermaLink="false">http://www.indiewire.com/2015/more/uncategorized/christopher-nolan-praises-70mm-release-of-the-hateful-eight-warns-cinemas-are-becoming-an-empty-room-with-a-tv-in-it-113334/#comment-82735</guid>

					<description><![CDATA[I\&#039;ll be doing my comments in PARTS, since this site is saying my comment &#034;SEEMS to be spammy&#034; 


Digital has killed everything in its path: Music is less &#034;warmer&#034; and tv and movies; killed the music video (mtv stopped playing them); no more cartoons, when we would\&#039;ve had three more &#034;Lion Kings&#034; by now if they didn\&#039;t go digital.]]></description>
			<content:encoded><![CDATA[<p>I\&#8217;ll be doing my comments in PARTS, since this site is saying my comment &quot;SEEMS to be spammy&quot; </p>
<p>Digital has killed everything in its path: Music is less &quot;warmer&quot; and tv and movies; killed the music video (mtv stopped playing them); no more cartoons, when we would\&#8217;ve had three more &quot;Lion Kings&quot; by now if they didn\&#8217;t go digital.</p>
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		<title>
		By: Keith Carrizosa		</title>
		<link>https://staging2.theplaylist.net/christopher-nolan-praises-70mm-release-of-the-hateful-eight-warns-cinemas-are-becoming-an-empty-room-with-a-tv-in-it-20151012/#comment-82734</link>

		<dc:creator><![CDATA[Keith Carrizosa]]></dc:creator>
		<pubDate>Fri, 13 May 2016 13:02:47 +0000</pubDate>
		<guid isPermaLink="false">http://www.indiewire.com/2015/more/uncategorized/christopher-nolan-praises-70mm-release-of-the-hateful-eight-warns-cinemas-are-becoming-an-empty-room-with-a-tv-in-it-113334/#comment-82734</guid>

					<description><![CDATA[(part 2) Digital will NEVER be anywhere near as good as film because it is simply NOT PHYSICAL.  With film, there is ACTUAL PHYSICAL CONTACT with the medium: the light and sound molecules are actually TOUCHING the film and then the light from the projector actually TOUCHES that film.  The result is a much more vibrant image as well as the full force of sound.  With digital it\&#039;s darker (just compare these CGI cartoons to a Pinnochio still or something) and the sound is all muffled and subdued; you can barely hear it and it sounds boxed in.]]></description>
			<content:encoded><![CDATA[<p>(part 2) Digital will NEVER be anywhere near as good as film because it is simply NOT PHYSICAL.  With film, there is ACTUAL PHYSICAL CONTACT with the medium: the light and sound molecules are actually TOUCHING the film and then the light from the projector actually TOUCHES that film.  The result is a much more vibrant image as well as the full force of sound.  With digital it\&#8217;s darker (just compare these CGI cartoons to a Pinnochio still or something) and the sound is all muffled and subdued; you can barely hear it and it sounds boxed in.</p>
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		<title>
		By: Keith Carrizosa		</title>
		<link>https://staging2.theplaylist.net/christopher-nolan-praises-70mm-release-of-the-hateful-eight-warns-cinemas-are-becoming-an-empty-room-with-a-tv-in-it-20151012/#comment-82733</link>

		<dc:creator><![CDATA[Keith Carrizosa]]></dc:creator>
		<pubDate>Fri, 13 May 2016 13:02:47 +0000</pubDate>
		<guid isPermaLink="false">http://www.indiewire.com/2015/more/uncategorized/christopher-nolan-praises-70mm-release-of-the-hateful-eight-warns-cinemas-are-becoming-an-empty-room-with-a-tv-in-it-113334/#comment-82733</guid>

					<description><![CDATA[(part 3) Speaking of which, my theater here, the Cinecapri in Scottsdale, has a 70 feet digital screen with 3d sound...(it used to be a house for 70mm)...The last movie I went to see there was &#034;The Martian&#034; but guess what?  I could barely even hear it.  That\&#039;s digital.]]></description>
			<content:encoded><![CDATA[<p>(part 3) Speaking of which, my theater here, the Cinecapri in Scottsdale, has a 70 feet digital screen with 3d sound&#8230;(it used to be a house for 70mm)&#8230;The last movie I went to see there was &quot;The Martian&quot; but guess what?  I could barely even hear it.  That\&#8217;s digital.</p>
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		<title>
		By: Keith Carrizosa		</title>
		<link>https://staging2.theplaylist.net/christopher-nolan-praises-70mm-release-of-the-hateful-eight-warns-cinemas-are-becoming-an-empty-room-with-a-tv-in-it-20151012/#comment-82732</link>

		<dc:creator><![CDATA[Keith Carrizosa]]></dc:creator>
		<pubDate>Fri, 13 May 2016 13:02:47 +0000</pubDate>
		<guid isPermaLink="false">http://www.indiewire.com/2015/more/uncategorized/christopher-nolan-praises-70mm-release-of-the-hateful-eight-warns-cinemas-are-becoming-an-empty-room-with-a-tv-in-it-113334/#comment-82732</guid>

					<description><![CDATA[(part 4) if the twentieth century had ALL been digital in their recording of media, we would have had None of what he have.  Nothing.  No Jimi Hendrix (because digital recording would be all subdued and weak....bye bye to rock and roll altogether); none of the cinematic masterpieces.  Nothing.]]></description>
			<content:encoded><![CDATA[<p>(part 4) if the twentieth century had ALL been digital in their recording of media, we would have had None of what he have.  Nothing.  No Jimi Hendrix (because digital recording would be all subdued and weak&#8230;.bye bye to rock and roll altogether); none of the cinematic masterpieces.  Nothing.</p>
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		<title>
		By: Keith Carrizosa		</title>
		<link>https://staging2.theplaylist.net/christopher-nolan-praises-70mm-release-of-the-hateful-eight-warns-cinemas-are-becoming-an-empty-room-with-a-tv-in-it-20151012/#comment-82731</link>

		<dc:creator><![CDATA[Keith Carrizosa]]></dc:creator>
		<pubDate>Fri, 13 May 2016 13:02:47 +0000</pubDate>
		<guid isPermaLink="false">http://www.indiewire.com/2015/more/uncategorized/christopher-nolan-praises-70mm-release-of-the-hateful-eight-warns-cinemas-are-becoming-an-empty-room-with-a-tv-in-it-113334/#comment-82731</guid>

					<description><![CDATA[(part 5) We\&#039;d probably have all been taken over by some Nazi-type of people due to lack of culture (as Nazism itself started gradually from the cultural impact loss of The Thirty Years War; yes, Hitler was inspired by the Armenian genocide but the point is, you take away culture these things happen).]]></description>
			<content:encoded><![CDATA[<p>(part 5) We\&#8217;d probably have all been taken over by some Nazi-type of people due to lack of culture (as Nazism itself started gradually from the cultural impact loss of The Thirty Years War; yes, Hitler was inspired by the Armenian genocide but the point is, you take away culture these things happen).</p>
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		<title>
		By: Keith Carrizosa		</title>
		<link>https://staging2.theplaylist.net/christopher-nolan-praises-70mm-release-of-the-hateful-eight-warns-cinemas-are-becoming-an-empty-room-with-a-tv-in-it-20151012/#comment-82730</link>

		<dc:creator><![CDATA[Keith Carrizosa]]></dc:creator>
		<pubDate>Fri, 13 May 2016 13:02:47 +0000</pubDate>
		<guid isPermaLink="false">http://www.indiewire.com/2015/more/uncategorized/christopher-nolan-praises-70mm-release-of-the-hateful-eight-warns-cinemas-are-becoming-an-empty-room-with-a-tv-in-it-113334/#comment-82730</guid>

					<description><![CDATA[(part 6) We never had all of these ma ss sh00tings until after James Cameron decided HE wanted all movies to be projected digitally with A vatar]]></description>
			<content:encoded><![CDATA[<p>(part 6) We never had all of these ma ss sh00tings until after James Cameron decided HE wanted all movies to be projected digitally with A vatar</p>
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		<title>
		By: Keith Carrizosa		</title>
		<link>https://staging2.theplaylist.net/christopher-nolan-praises-70mm-release-of-the-hateful-eight-warns-cinemas-are-becoming-an-empty-room-with-a-tv-in-it-20151012/#comment-82729</link>

		<dc:creator><![CDATA[Keith Carrizosa]]></dc:creator>
		<pubDate>Fri, 13 May 2016 13:02:47 +0000</pubDate>
		<guid isPermaLink="false">http://www.indiewire.com/2015/more/uncategorized/christopher-nolan-praises-70mm-release-of-the-hateful-eight-warns-cinemas-are-becoming-an-empty-room-with-a-tv-in-it-113334/#comment-82729</guid>

					<description><![CDATA[(part 7) 3D craze maybe drives them much more crazy (and literally) than the rest of us.]]></description>
			<content:encoded><![CDATA[<p>(part 7) 3D craze maybe drives them much more crazy (and literally) than the rest of us.</p>
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