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	<title>
	Comments on: Bradley Cooper &#038; Sam Worthington Join &#8216;The Texas Killing Fields&#8217;?	</title>
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		<title>
		By: gabetoro		</title>
		<link>https://staging2.theplaylist.net/bradley-cooper-sam-worthington-join-20091117/#comment-12926</link>

		<dc:creator><![CDATA[gabetoro]]></dc:creator>
		<pubDate>Tue, 17 Nov 2009 23:55:12 +0000</pubDate>
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					<description><![CDATA[There&#039;s a daughter of Mann???]]></description>
			<content:encoded><![CDATA[<p>There&#39;s a daughter of Mann???</p>
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		<title>
		By: Anonymous		</title>
		<link>https://staging2.theplaylist.net/bradley-cooper-sam-worthington-join-20091117/#comment-12918</link>

		<dc:creator><![CDATA[Anonymous]]></dc:creator>
		<pubDate>Tue, 17 Nov 2009 21:23:45 +0000</pubDate>
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					<description><![CDATA[Kinda wish Mann would direct this himself.  Better than some crappy drama about a WWII photagrapher or whatever the hell he&#039;s doing next.  &lt;br /&gt;&lt;br /&gt;Notice, Mann&#039;s historical films suffer because he becomes so bogged down in accuracy and detail instead of paying attention to character development and performance.  Whereas comtemporary films like Heat and Collateral are much more character based and don&#039;t feel as shallow.  &lt;br /&gt;&lt;br /&gt;(Don&#039;t cite Ali either, it was on HBO the other day, that film is fucking laughable. How did anyone keep a straight face throughout?)]]></description>
			<content:encoded><![CDATA[<p>Kinda wish Mann would direct this himself.  Better than some crappy drama about a WWII photagrapher or whatever the hell he&#39;s doing next.  </p>
<p>Notice, Mann&#39;s historical films suffer because he becomes so bogged down in accuracy and detail instead of paying attention to character development and performance.  Whereas comtemporary films like Heat and Collateral are much more character based and don&#39;t feel as shallow.  </p>
<p>(Don&#39;t cite Ali either, it was on HBO the other day, that film is fucking laughable. How did anyone keep a straight face throughout?)</p>
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